So if you care you probably already know that Kieron Gillen is killing Phonogram. Despite strong rec’s, I haven’t gotten around to reading any of it. That’s about to change, though, because I decided to read the linked farewell, and Gillen says:

We’ve — and these are ones I really treasure — made some people get what’s going on inside music obsessive’s heads, when they’ve previously never really got pop.

and I thought, “Wait, maybe I can remember how to be a pop obsessive.”

Because I used to be really pop-obsessive. I mean, if I like a song I can tell what elements of it are being underserved by a sound system, and the first thing I put on after reading this (not immediately, but definitely because of) was Circus Maximus, a record that is really, truly by and for obsessives (also: hilarious coincidence city, right?) Of course, it’s also really old. So old that it probably doesn’t even qualify as pop at all. Leaving aside questions about what’s the Momusian analogue to classic-rock status aside, I’m trying to figure out how I can become pop-obsessive again, because I think that I liked that about myself.

I think the MP3 revolution killed my obsession with pop music. I bought the very first iPod about a week after it came out, but by the time that one died they had become too ubiquitous for me to not turn up my nose about acquiring another. Nevertheless, I had moved to NYC and was a student at that point, and I succumbed to the urge to just put everything on my computer and have done with it. Maybe the thing to do now is to become some kind of beardy format-maniac. Obsession rewards masochism.

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